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The Mathilde Album (Quatour Arod)
Come for the sex, stay for the music. That would seem to be the implication behind the title of the...
Reviewed by Peter Quantrill in issue: 11/2019
Diana Tishchenko: Strangers in paradise
Diana Tishchenko | Zoltán Fejérvári
When the Ukrainian violinist Diana Tishchenko won the 2018 Long Thibaud Crespin Competition in Paris she was the indisputable winner....
Reviewed by Charlotte Gardner in issue: 12/2019
Tine Thing Helseth: Magical Memories For Trumpet and Organ
Kåre Nordstoga | Tine Thing Helseth
There are some artists who have the unteachable gift of turning the simplest, most ordinary and even third-rate music into...
Reviewed by Jeremy Nicholas in issue: 08/2021
LIEBERMANN Frankenstein
Martin West | San Francisco Ballet Orchestra
Within just five years of its publication in 1818, Mary Shelley’s classic horror novel inspired a stage play that became...
Reviewed by Thomas May in issue: 02/2022
REZNICEK Five String Quartets (Minguet Quartet)
Despite his Bohemian-sounding name, Reznicek was Viennese by birth and then a Berliner by career, and despite the vintage fizz...
Reviewed by Peter Quantrill in issue: 07/2020
Saint-Saëns: Piano Concertos
Michel Plasson | Philippe Entremont | Toulouse Capitole Orchestra
Saint-Saens was a fine pianist himself, and the five concertos he wrote for his instrument between 1858 and 1896 are...
Reviewed by Christopher Headington in issue: 5/1990
Grieg Lyric Pieces, Vol. 3
Grieg's Lyric pieces belong in a tradition of short pianistic essays and tone-poems, of which famous earlier examples include Beethoven's...
Reviewed by Christopher Headington in issue: 2/1991
RUBINSTEIN Piano Sonatas 1 & 2 (Han Chen)
As far as I know, this is only the third recording of Rubinstein’s E minor Sonata and the second of...
Reviewed by Jeremy Nicholas in issue: 04/2020
Purcell Songs Realised by Britten
Is this set for lovers of Purcell or Britten? Or perhaps both? Now that we have ample opportunity to hear...
Reviewed by Richard Fairman in issue: 06/2016
BEETHOVEN Violin Sonatas Nos 1, 5 & 8 (Tamsin Waley-Cohen)
Huw Watkins | Tamsin Waley-Cohen
These are closely miked studio accounts, with little sense of the 300-seat Snape Maltings acoustic in which they were recorded,...
Reviewed by Peter Quantrill in issue: 08/2020

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