Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Recalling in particular Stefan Vladar’s fine early recording of Beethoven’s Diabelli Variations (Sony, 4/92), I turned to the radically different...
Reviewed by Bryce Morrison in issue: 11/2015
Mendelssohn’s Songs Without Words may have suffered from their association with the Victorian parlour (just as his oratorios became indelibly...
Reviewed by Harriet Smith in issue: 11/2015
Stephen Hough’s piano-playing always seems informed by a composer’s instincts and sensibilities, attributes immediately discernible in his new recording combining...
Reviewed by Patrick Rucker in issue: 11/2015
Nicolas Hodges stares into the middle distance, his fingers perched over the keyboard, his pupils fully dilated: cover art that...
Reviewed by Philip Clark in issue: 11/2015
This disc is as interesting for the instrument as for Louis Couperin’s music. Colin Booth, exceptionally, is both a fine...
Reviewed by Julie Anne Sadie in issue: 11/2015
Comparisons may be invidious, but they seem inescapable for two new sets of Chopin Preludes by Dong-Hyek Lim and Yundi....
Reviewed by Patrick Rucker in issue: 11/2015
The reverence with which some cellists choose to treat Bach’s Cello Suites can produce results that disappear in opposite directions:...
Reviewed by Caroline Gill in issue: 11/2015
This unusual disc takes as its starting point those succinct keyboard pieces, both stand-alone and developed later in collections (notably...
Reviewed by Jonathan Freeman-Attwood in issue: 11/2015
‘You’ve got to learn your instrument. Then, you practise, practise, practise. And then, when you finally get up there on...
Reviewed by Jed Distler in issue: 11/2015
What is the most challenging repertoire for any artist to commit to disc? Bach’s Cello Suites, Beethoven’s Violin Concerto, Mozart’s...
Reviewed by Harriet Smith in issue: 11/2015
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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