Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
This is the second disc of Liszt’s violin-and-piano works to come my way within a few months. In the May...
Reviewed by Jeremy Nicholas in issue: 08/2015
Just over two decades ago, Niels W Gade’s 1864 Sextet was hailed in these pages as his ‘finest extended chamber...
Reviewed by Mike Ashman in issue: 08/2015
Although Finzi did not compose much chamber music, his innately contrapuntal style, informed by enduring fascination for the music of...
Reviewed by Jeremy Dibble in issue: 08/2015
Brahms’s three piano trios make an obvious programme for disc, even if, played one after the other, there’s just slightly...
Reviewed by David Threasher in issue: 08/2015
Your reviewer first discovered the undemanding delights of Bottesini on an early-ish CD (1986) originally on ASV with the young...
Reviewed by Jeremy Nicholas in issue: 08/2015
The misnomer sonata da chiesa for the Corellian sequence of slow-fast-slow-fast movements has somehow stuck for good, even if such...
Reviewed by David Vickers in issue: 08/2015
Alina Ibragimova has made many fine recordings in recent years, but this solo Ysaÿe disc must count as one of...
Reviewed in issue 07/2015
The rainforest tape that opens this remarkable disc might seem a Brazilian cliché – and in a sense it is....
Reviewed by Ivan Moody in issue: 07/2015
Folk-minded early music ensemble Concerto Caledonia have titled their latest disc ‘Purcell’s Revenge’ but to many listeners its irreverent reworkings...
Reviewed by Alexandra Coghlan in issue: 07/2015
Look back over the classical releases of the past few years and you’ll see a trend emerging. Sitting somewhere at...
Reviewed by Alexandra Coghlan in issue: 07/2015
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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