Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Florence Price’s Second Quartet (1935) may not, quite, reach the level of Dvořák’s celebrated American Quartet but it is a...
Reviewed by Guy Rickards in issue: 04/2024
Long in the making perhaps but, 42 years and 20 releases on, Bridge has fulfilled its plan for a Complete...
Reviewed by Richard Whitehouse in issue: 04/2024
For evidence of the blurred boundaries that keep shifting between music for the concert hall and compositions written for film...
Reviewed by Pwyll ap Siôn in issue: 04/2024
In his June 1937 editorial, Compton Mackenzie remarked that Elgar once told him that he considered Busoni ‘the greatest musical...
Reviewed by Peter Quantrill in issue: 04/2024
On first hearing, this new set of Brahms violin sonatas by Rachel Kolly and Christian Chamorel makes a curious impression:...
Reviewed by David Patrick Stearns in issue: 04/2024
Piano trios have cause to be grateful that Brahms’s loyal friend Theodor Kirchner (1823-1903) did such a thoroughly professional job...
Reviewed by Richard Wigmore in issue: 04/2024
The namesake of France’s Quatuor Agate is an ornamental gemstone. ‘Agate’ also alludes to the group’s affinity for Brahms, whose...
Reviewed by Stephen Cera in issue: 04/2024
Rob Cowan recently remarked that Casals and Horszowski make Brahms’s Second Cello Sonata ‘sound truly the Eroica of cello sonatas’...
Reviewed by Peter J Rabinowitz in issue: 04/2024
My colleague Andrew Farach-Colton ended his review of the previous volume, of the Pastoral and the Piano Trio Op 1...
Reviewed by Harriet Smith in issue: 04/2024
For such a starry orchestra, the Berlin Philharmonic has a pretty threadbare Rachmaninov catalogue. Their only symphony cycle was with...
Reviewed by Mark Pullinger in issue: 04/2024
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.