Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Three string-playing composers who hailed from the same Franco-Belgian school of string pedagogy – this album from John Wilson’s Sinfonia...
Reviewed by Andrew Mellor in issue: 04/2024
The autumn of Simon Rattle’s illustrious career continues to deliver in abundance. This deeply impressive account of Mahler’s harrowing Sixth...
Reviewed by Edward Seckerson in issue: 04/2024
The Korean pianist Kay Kyung Eun Kim, a champion of contemporary works and innovative keyboard techniques, offers pieces by three...
Reviewed by Stephen Cera in issue: 04/2024
‘Tales is an exploration of African American folklore and Afrofuturist stories’, Carlos Simon writes in the booklet note for this...
Reviewed by Andrew Farach-Colton in issue: 04/2024
Out of an opening cry and terse introduction, Kim Cook rises magnificently in Paul Reale’s Cello Concerto against a landscape...
Reviewed by Laurence Vittes in issue: 04/2024
So many composers have been neglected in concert halls and opera houses due to prejudice that devoted musicians have decided...
Reviewed by Donald Rosenberg in issue: 04/2024
>Like most earthlings during the coronavirus pandemic, Louis Karchin had an inordinate amount of time on his hands. He responded...
Reviewed by Donald Rosenberg in issue: 04/2024
Elisabetta, regina d’Inghilterra was an important turning point, both in Rossini’s career and in the development of serious opera in...
Reviewed by Richard Osborne in issue: 03/2024
Here’s a Cavalleria rusticana with a difference. Not only do Thomas Hengelbrock and his Balthasar Neumann forces offer historically informed...
Reviewed by Hugo Shirley in issue: 03/2024
Premiered at Rome’s Teatro Valle in 1779, Cimarosa’s breezy intermezzo comico L’italiana in Londra made his European reputation. Playing on...
Reviewed by Richard Wigmore in issue: 03/2024
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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