Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Mariss Jansons recorded the Requiem in concert in Amsterdam a little under six years before this Munich performance, with two...
Reviewed by David Threasher in issue: 03/2024
For lovers of 16th-century music there can be few nuts harder to crack than the Magnificat settings of Lassus. There...
Reviewed by David Fallows in issue: 03/2024
'Haydn has no talent for musical theatre’, wrote Leopold Mozart about his Salzburg colleague Michael Haydn. Wolfgang Brunner and the...
Reviewed by David Threasher in issue: 03/2024
‘More prescient and pertinent with every performance’ is how Ruth Smith describes Theodora in a typically astute booklet note for...
Reviewed by Lindsay Kemp in issue: 03/2024
This recording was made in the monastery of St Florian, near Linz in Austria, where Alois Mühlbacher was a choirboy....
Reviewed by Richard Lawrence in issue: 03/2024
Ever since Bartók’s 1937 Sonata, the medium of two pianos and percussion has exerted a compelling fascination on contemporary composers,...
Reviewed by David Fanning in issue: 03/2024
The La Dolce Volta label’s high-end production values have always befitted Wilhem Latchoumia’s intelligent musicianship and cultivated pianism. Collectors familiar...
Reviewed by Jed Distler in issue: 03/2024
Hong Kong-born New York-based Tiffany Poon is one of the piano world’s most enterprising vloggers and YouTube denizens, as well...
Reviewed by Jed Distler in issue: 03/2024
In Vladimir Feltsman’s burly hands, Schubert’s Impromptus leap out of the drawing room into the opera house. The characteristically swimmy...
Reviewed by Jed Distler in issue: 03/2024
Poulenc always claimed that the truest measure of his piano-writing was to be found not in the solo works or...
Reviewed by Patrick Rucker in issue: 03/2024
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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