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Leipzig!

When is an octet not an octet? When, as here, the flute, oboe and pairs of clarinets, horns and bassoons...

Reviewed by Guy Rickards in issue: 09/2014

An Italian in Paris

The title refers to the Bolognese guitarist and theorbist Angelo Michele Bartolotti, whose lightweight Chaconne is included in the programme....

Reviewed by Julie Anne Sadie in issue: 09/2014

Arioso & Brillante

This is the third of the Berlin Philharmonic’s solo trumpeter’s discs on Tudor and the most engaging. Tarkövi and Kofler...

Reviewed by Jonathan Freeman-Attwood in issue: 09/2014

1919 - Viola Sonatas

It is difficult to find a thread to join any free standing works for viola; but that its sound has...

Reviewed by Caroline Gill in issue: 09/2014

VIVALDI Chamber Sonatas

Vivaldi’s output of sonatas for two violins and bass consists of the 12 trio sonatas of his Op 1, and...

Reviewed by Lindsay Kemp in issue: 09/2014

SHOSTAKOVICH; SZYMANOWSKI Violin Sonatas

These works, from either end of their composers’ output, make for an unlikely yet effective pairing. Szymanowski’s Violin Sonata (1909)...

Reviewed by Richard Whitehouse in issue: 09/2014

RUDERS Romances. 13 Postludes. Schrödinger's Cat

At the heart of this disc are the 12 canons for violin and guitar whimsically titled Schrödinger’s Cat; whimsically, because...

Reviewed by David Fanning in issue: 09/2014

MONK Piano Songs

Meredith Monk’s music for both solo piano and piano duo is rooted in her unique singing style, which encompasses a...

Reviewed by Jed Distler in issue: 09/2014

MENDELSSOHN String Quintets

This is the final volume in the Mandelring Quartet’s complete survey of Mendelssohn’s chamber music for strings, and as its...

Reviewed by Caroline Gill in issue: 09/2014

LANG The Anatomy of Disaster (Monadologie IX)

In the May 2014 issue of Gramophone, I recommended you check out Bernhard Lang’s Monadologie XII – the vocabulary of...

Reviewed by Philip Clark in issue: 09/2014

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