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Review of Farinelli: El Maestro

Farinelli: El Maestro

In 1737 Farinelli travelled to Madrid. Once in the Spanish capital of the melancholic Bourbon King Philip V, he was...

Reviewed by David Vickers in issue: 07/2014

Review of House of Dreams

House of Dreams

A couple of years back, Tafelmusik’s ‘Galileo Project’ (6/12) linked Baroque music with images and readings reflecting the scientific advances...

Reviewed by Lindsay Kemp in issue: 07/2014

Review of de Greef: The Complete Electric Solo and Concerto Recordings

de Greef: The Complete Electric Solo and Concerto Recordings

The name of Arthur de Greef (1862-1940) is never mentioned in discussions of the so-called Golden Age defined by the...

Reviewed by Jeremy Nicholas in issue: 07/2014

Review of VIVALDI The Four Seasons

VIVALDI The Four Seasons

This is a recording of the evergreen Four Seasons to remember and return to. The playing is sublime. Kati Debretzeni...

Reviewed by Julie Anne Sadie in issue: 07/2014

Review of TURNAGE Undance. Crying Out Loud. No Let Up

TURNAGE Undance. Crying Out Loud. No Let Up

As Paul Griffiths suggests in his booklet-note, the sheer rhythmic quality of Mark-Anthony Turnage’s music makes it surprising he had...

Reviewed by Richard Whitehouse in issue: 07/2014

Review of A French Baroque Diva

A French Baroque Diva

This is a brilliantly planned and executed, musically illustrated biography of Marie Fel, one of the great 18th-century divas and...

Reviewed by Julie Anne Sadie in issue: 07/2014

Review of Amorosi pensieri

Amorosi pensieri

This is great. Hitherto Cinquecento – that marvellous male-voice sextet in Vienna who have sung a 16th-century Mass almost every...

Reviewed by David Fallows in issue: 07/2014

Review of TCHAIKOVSKY Manfred Symphony

TCHAIKOVSKY Manfred Symphony

You’d think this same team’s own classic DG recording (12/94) would prove a dauntingly tough act to follow, let alone...

Reviewed by Andrew Achenbach in issue: 07/2014

Review of STRAUSS Also sprach Zarathustra. Don Juan

STRAUSS Also sprach Zarathustra. Don Juan

Andris Nelsons holds the sustained double low C that opens Also sprach Zarathustra with its full measure of menace and...

Reviewed by Rob Cowan in issue: 07/2014

Review of STRAUSS Don Juan. Till Eulenspiegel

STRAUSS Don Juan. Till Eulenspiegel

Hot on the heels of Manfred Honeck’s splendid collection of the same three key tone-poems of Richard Strauss (Reference Recordings,...

Reviewed by Ivan March in issue: 07/2014


 

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