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Nordic Cello Soul

The rather curious title here, ‘Nordic Cello Soul’, covers widely diverse music by three Nordic composers. The pair of opening...

Reviewed by Ivan March in issue: 07/2014

GLERUP Dust Encapsulated

Rune Glerup (b1981) is a young Danish composer of whom there are high hopes for the future in his native...

Reviewed by Guy Rickards in issue: 07/2014

FAURÉ Violin Sonatas Nos 1 & 2

Daishin Kashimoto makes his second appearance in Eric Le Sage’s Fauré series, this time taking centre stage. He’s a persuasive...

Reviewed by Harriet Smith in issue: 07/2014

DVOŘÁK Piano Trio No 3 SMETANA Piano Trio Op 15 SUK Elegy

Smetana’s G minor Trio has one of the grandest openings in the entire piano trio repertoire, its Lisztian axis much...

Reviewed by Rob Cowan in issue: 07/2014

DANZI Music for Piano and Winds Vol 1

Ensemble F2’s project, prepared last year for Finchcocks Musical Museum in Kent, explores the chamber music of Franz Danzi (1763-1826)....

Reviewed by David Vickers in issue:

CORELLI Concerti Grossi Op 6

This double set completes the Avison Ensemble’s survey of Corelli’s published opuses. Both of these Roman publications contain 12 trio...

Reviewed by David Vickers in issue: 07/2014

PIZZETTI; CASTELNUOVO-TEDESCO Violin Sonatas

The Italy of the 1920s was not a good place to be. Luckily, though, jazz was starting to enjoy some...

Reviewed by Caroline Gill in issue: 07/2014

CAMPBELL Things You Already Know

'Personal music demands personal music tools,’ writes the American composer Chris Campbell as he outlines how his new album pulls...

Reviewed by Philip Clark in issue: 07/2014

BRAHMS Clarinet Quintet. Clarinet Trio

Contradictions rule. Brahms’s biographer Florence May (1905) says of the Clarinet Quintet: ‘The tone of gentle loving regret that prevails...

Reviewed by Nalen Anthoni in issue: 07/2014

JS BACH Sonatas for Viola da Gamba and Harpsichord

Repeated listening to Bach’s Sonatas for viola da gamba and harpsichord deepens one’s sense of their formal variety within a...

Reviewed by Fabrice Fitch in issue: 07/2014

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