Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Looking for something to blow the musical cobwebs away? Try Henrik Hellstenius. For the past three decades, the Norwegian composer...
Reviewed by Pwyll ap Siôn in issue: 03/2024
‘Slender pieces of modest charm’ is how Richard Wigmore describes the violin concertos in his indispensable Faber Pocket Guide to...
Reviewed by David Threasher in issue: 03/2024
Elena Firsova’s 18-minute, three-movement Piano Concerto – not to be confused with her Piano Concerto No 1 of 1985, which...
Reviewed by David Fanning in issue: 03/2024
The concept behind Mathieu Herzog’s Appassionato would seem to me to be one of chamber music (and the mindset implicit...
Reviewed by Edward Seckerson in issue: 03/2024
Domingo Hindoyan’s interpretation of the Fourth Symphony is well paced, admirably attentive to dynamics and avoids any interpretative eccentricities. Solo...
Reviewed by Christian Hoskins in issue: 03/2024
This vividly recorded account of Britten’s 1939 Violin Concerto is uniquely paired with the Double Concerto for violin and viola...
Reviewed by Geraint Lewis in issue: 03/2024
Born in London in 1954, Adam Pounds attended the London College of Music before going on to study privately with...
Reviewed by Andrew Achenbach in issue: 03/2024
This Katya Kabanova forms the second instalment of Simon Rattle’s LSO Live series of Janáček’s major operas, begun in summer...
Reviewed by Tim Ashley in issue: 03/2024
John Holt’s eighth recording for Crystal begins with eight pleasant recital pieces before finishing with a chamber music masterwork, Eric...
Reviewed by Laurence Vittes in issue: 03/2024
The National Orchestral Institute Philharmonic may be an occasional ensemble, tied to annual festivals at the University of Maryland, but...
Reviewed by Guy Rickards in issue: 03/2024
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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