Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
So far as the Shostakovich Trios are concerned, Korobeinikov, Gluzman and Moser enter a well-populated field but still manage to...
Reviewed by David Fanning in issue: 03/2024
As pairings of composers go, there is a lot to commend Schubert and Weinberg. Apart from Schubert being one of...
Reviewed by Michelle Assay in issue: 03/2024
This attractive CD is a fresh look at some of Prokofiev’s chamber repertoire, although I wondered whether ‘milestones’ is the...
Reviewed by Marina Frolova-Walker in issue: 03/2024
This disc completes the suites ‘for My Cousin Kemble’ begun on Phantasm’s previous Matthew Locke recording (11/18) and twins them...
Reviewed by Edward Breen in issue: 03/2024
Métier continues its welcome coverage of Nicola LeFanu with this volume of four works spanning some 46 years of her...
Reviewed by Richard Whitehouse in issue: 03/2024
Crisp, brightly sharp-edged and powerful, vibrato-less and pleasantly dry, the opening chord of Haydn’s Piano Trio in E minor, HobXV:12,...
Reviewed by Charlotte Gardner in issue: 03/2024
If you were seeking to dispel the image of Gernsheim as an epigone of Brahms and a lesser-known contemporary of...
Reviewed by Peter Quantrill in issue: 03/2024
In 2022 Naxos released a recording of Enescu’s 1909 Piano Quartet No 1 by an ensemble led by pianist Josu...
Reviewed by Andrew Farach-Colton in issue: 03/2024
‘The Joy of Cellos’ would be an appropriate subtitle for this elegant, playful, infectious recital curated by Elinor Frey. The...
Reviewed by Fabrice Fitch in issue: 03/2024
You’d have to have a heart of stone not to be stopped in your tracks at the outset of this...
Reviewed by Charlotte Gardner in issue: 03/2024
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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