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Review of MOZART String Quartets, Vol 5 (Armida Quartet)

MOZART String Quartets, Vol 5 (Armida Quartet)

‘Some of the most extraordinarily gawky music that [Mozart], so rarely in the slightest awkward, ever wrote.’ Thus Paul Griffiths...

Reviewed by David Threasher in issue: AW22

Review of MENDELSSOHN Compete String Quartets, Vol 1 (Quatuor van Kuijk)

MENDELSSOHN Compete String Quartets, Vol 1 (Quatuor van Kuijk)

This is a golden age for Mendelssohn string quartets, once treated with faint condescension but now recognised as arguably the...

Reviewed by Richard Wigmore in issue: AW22

Review of MARAIS La gamme

MARAIS La gamme

When Marais published La gamme et autres morceaux de symphonie in 1723, he was 67 years old. He would die...

Reviewed by Mark Seow in issue: AW22

Review of BRIDGE; BRITTEN; DEBUSSY Cello Sonatas (Truls Mørk)

BRIDGE; BRITTEN; DEBUSSY Cello Sonatas (Truls Mørk)

Nearly a quarter of a century since recording Britten’s three Solo Suites (Erato, 4/01) and re-recording the Cello Symphony (12/99),...

Reviewed by Andrew Farach-Colton in issue: AW22

Review of BIBER Sonatae Violino Solo 1681

BIBER Sonatae Violino Solo 1681

As much as Biber’s Rosary (or Mystery) Sonatas of c1674 are wonderful, it does seem a shame that we only...

Reviewed by Charlotte Gardner in issue: AW22

Review of BEETHOVEN Piano Trios, Op 1 Nos 1 & 2 (Rautio Piano Trio)

BEETHOVEN Piano Trios, Op 1 Nos 1 & 2 (Rautio Piano Trio)

‘That bass line was meant to sound gruff! These semiquavers scatter effortlessly in the upper register.’ Pianist Jan Rautio offers...

Reviewed by Richard Bratby in issue: AW22

Review of BARRY In the Asylum

BARRY In the Asylum

Longtime advocates for Gerald Barry’s music, the Fidelio Trio here for the first time set down a collection of his...

Reviewed by Liam Cagney in issue: AW22

Review of Igor Levit: Tristan

Igor Levit: Tristan

Of all Igor Levit’s concept-based albums, this strikes me as the most problematic. He builds it around two substantial items,...

Reviewed by David Fanning in issue: AW22

Review of Augustin Hadelich: Recuerdos

Augustin Hadelich: Recuerdos

Concept albums have become the new normal for today’s violin stars and at first glance ‘Recuerdos’ looks like an example...

Reviewed by David Gutman in issue: AW22

Review of Mozart y Mambo: Cuban Dances

Mozart y Mambo: Cuban Dances

‘If you can’t dance it, you can’t play it’, writes Sarah Willis in the booklet note for this second instalment...

Reviewed by Andrew Farach-Colton in issue: AW22


 

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