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MOZART Piano Concertos Nos .9 & 18 (Kristian Bezuidenhout)

Kristian Bezuidenhout returns to his slowly emerging Mozart concerto survey with a pairing of two flat-key works: the misnamed Jeunehomme,...

Reviewed by David Threasher in issue: AW22

GODARD Volume 3

Dutton’s admirable championship of Benjamin Godard (1849-95) continues with a third volume, not of piano music this time but of...

Reviewed by Jeremy Nicholas in issue: 10/2022

DVORÁK Symphonies Nos 7-9 (Dudamel)

Having taken over from Esa-Pekka Salonen back in 2009, Dudamel has proved himself an assiduous curator of the ‘LA Sound’,...

Reviewed by Peter Quantrill in issue: AW22

DEBUSSY Jeu DUKAS La Péri ROUSSEL Bacchus et Ariane

Domingo Hindoyan, chief conductor of the Royal Liverpool Philharmonic since 2021, makes both his debut on disc and his first...

Reviewed by Tim Ashley in issue: AW22

BRUCKNER Symphony No 3 (1873 version. Poschner)

As a consequence of Bruckner’s various revisions to his Third Symphony there are three separate versions of the score in...

Reviewed by Christian Hoskins in issue: AW22

BRAHMS Complete Symphonies (Fischer)

If Naxos’s new cycle of Brahms’s symphonies had been recorded with a full-size orchestra, this review might have been something...

Reviewed by Andrew Farach-Colton in issue: AW22

BEETHOVEN Symphonies Nos 4 & 8 MÉHUL Symphony No 1

Previous instalments in Harmonia Mundi’s multi-ensemble anniversary Beethoven cycle from these players (4/20, 10/20) have raised issues of balance between...

Reviewed by David Threasher in issue: AW22

ALFVÉN Symphonic Works Vol 3

Premiered at a concert conducted by Wilhelm Stenhammar in Stockholm in 1899, when Alfvén was 27, the second of the...

Reviewed by Christian Hoskins in issue: AW22

ADAMS Orchestral Works (Järvi)

You never quite know what you’ll get on record next from Paavo Järvi, though there was the slightest clue some...

Reviewed by Andrew Mellor in issue: AW22

MEYERBEER Robert le diable (Minkowski)

Robert le diable was first performed at the Paris Opéra on November 21, 1831. The theatre’s new manager, Louis Véron,...

Reviewed by Tim Ashley in issue: AW22

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