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Review of GLANERT Oceane (Runnicles)

GLANERT Oceane (Runnicles)

Detlev Glanert’s ninth and newest opera begins musically at an imagined confluence of the Thames and the Vltava, but the...

Reviewed by Peter Quantrill in issue: 05/2020

Review of Hanna-Elisabeth Müller: Reine de Coeur

Hanna-Elisabeth Müller: Reine de Coeur

For her debut recital album, the German soprano Hanna-Elisabeth Müller covers a century of song from late Schumann, via early...

Reviewed by Hugo Shirley in issue: 05/2020

Gramophone Classical Music Awards Winner
Review of Barbara Hannigan: La Passione

Barbara Hannigan: La Passione

‘A triptych: three images, three perspectives of transfigured nights’ is how Barbara Hannigan describes her second collaboration with the Ludwig...

Reviewed by Tim Ashley in issue: 05/2020

Review of JORDLYS Contemporary Norwegian Songs

JORDLYS Contemporary Norwegian Songs

Hege Høisæter spent 14 years in the soloist’s ensemble of the Norwegian Opera before her retirement in 2016 and has...

Reviewed by Andrew Mellor in issue: 05/2020

Review of Papagena: Hush!

Papagena: Hush!

If Papagena were an all-male a cappella ensemble rather than an all-female group they would be household names in the...

Reviewed by Alexandra Coghlan in issue: 05/2020

Review of Stéphane Degout: Epic

Stéphane Degout: Epic

Though never just another pretty baritone voice, Stéphane Degout takes his dramatic sensibility to a new level in this ‘Lieder...

Reviewed by David Patrick Stearns in issue: 05/2020

Review of The Call of Rome (The Sixteen)

The Call of Rome (The Sixteen)

When you think of Roman polyphony you think of balance, order, elegance. Not for Rome’s composers the rougher textures and...

Reviewed by Alexandra Coghlan in issue: 09/2020

Review of THEILE St Matthew Passion (Cordes)

THEILE St Matthew Passion (Cordes)

The Passion settings of Schütz, from around 1666, still follow the example of Victoria and the polyphonists in setting the...

Reviewed by Peter Quantrill in issue: 05/2020

Review of STRAUSS; WAGNER Songs (Gerhard Siegel)

STRAUSS; WAGNER Songs (Gerhard Siegel)

Anyone who’s heard Gerhard Siegel live will know that he’s a formidable performer, and in Wagner’s Ring a Mime who...

Reviewed by Hugo Shirley in issue: 05/2020

Review of MONTEVERDI Vespro della Beata Vergine (Pichon)

MONTEVERDI Vespro della Beata Vergine (Pichon)

I’m never quite sure who buys classical concert DVDs; one viewing is usually enough, I would have thought, especially if...

Reviewed by Lindsay Kemp in issue: 05/2020


 

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