Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
When most recorded versions of Franck’s organ music cover two discs, we might question why Ben van Oosten takes four....
Reviewed by Marc Rochester in issue: 12/2018
With this two-disc set, Bertrand Cuiller launches a new complete cycle of the solo harpsichord works of François Couperin that...
Reviewed by Philip Kennicott in issue: 01/2019
Garrick Ohlsson begins his new disc of late Brahms with the mighty Op 116 pieces, and in a sense his...
Reviewed by Harriet Smith in issue: 01/2019
This recording combines two live performances by Till Fellner: the Swiss Année in the Great Hall of the Vienna Musikverein...
Reviewed by Patrick Rucker in issue: 01/2019
My last encounter with Federico Colli was a slightly frustrating one, with his readings of Scarlatti at times seeming overly...
Reviewed by Harriet Smith in issue: 01/2019
The Arcadia evoked in Handel’s Italian cantatas can be a pretty cruel and cynical place, especially if you’re an amorous...
Reviewed by Richard Wigmore in issue: 12/2018
After a well-received album of Satie for the French composer’s anniversary, Barbara Hannigan and Reinbert de Leeuw (having transitioned from...
Reviewed by Hugo Shirley in issue: 12/2018
In the decade since its foundation, in 2008, the Girls’ Choir of St Catharine’s College, Cambridge, have garnered well-deserved plaudits...
Reviewed by Malcolm Riley in issue: 11/2018
This exquisite late Renaissance Portuguese polyphonic repertoire is as richly expressive as it is politically poised. Written under the rule...
Reviewed by Edward Breen in issue: 12/2018
A collection of French Baroque music without so much as a fan flutter of courtly secularity or a mouthful of...
Reviewed by Alexandra Coghlan in issue: 12/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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