Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Depending how you count them, there are 16 Martinů operas, ranging from single-acters – Alexandre bis (1937) and Ariane (1958)...
Reviewed by Guy Rickards in issue: 01/2019
A new recording of Das Wunder der Heliane is, by definition, an event. The premiere recording in 1993 marked the...
Reviewed by Richard Bratby in issue: 01/2019
Incredibly, this is the first complete recording of Campra’s innovative opéra-ballet L’Europe galante (1697); La Petite Bande and Gustav Leonhardt...
Reviewed by David Vickers in issue: 01/2019
This is the third filmed version of Norma to have appeared in the past year and, for me, the best...
Reviewed by Hugo Shirley in issue: 01/2019
Despite being rather imaginatively programmed and very strongly played, this disc is something of a missed opportunity. The album title...
Reviewed by Guy Rickards in issue: 12/2018
This is an engaging, albeit rather short programme of historical recordings from 1967 and 1974. The largest work by far...
Reviewed by Guy Rickards in issue: 01/2019
Minju Choi is a Korean-American pianist who has made a speciality of new American music in her recitals, so it...
Reviewed by Guy Rickards in issue: 01/2019
Sean Kennard’s assertive plunge into the Barber Sonata’s exposition sets the tone for the pianist’s excellent grasp of the opening...
Reviewed by Jed Distler in issue: 01/2019
Here is something surprising and welcome: the first recording of Franz Schmidt’s Quintet in A for piano left-hand, clarinet, violin,...
Reviewed by Donald Rosenberg in issue: 12/2018
John Harbison’s deeply felt, near hour-long Requiem was finished in 2002 after a long gestation period beginning almost two decades...
Reviewed by Laurence Vittes in issue: 12/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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