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Review of MARTINU What Men Live By. Symphony No 1 (Bělohlávek)

MARTINU What Men Live By. Symphony No 1 (Bělohlávek)

Depending how you count them, there are 16 Martinů operas, ranging from single-acters – Alexandre bis (1937) and Ariane (1958)...

Reviewed by Guy Rickards in issue: 01/2019

Review of KORNGOLD Das Wunder der Heliane (Bollon)

KORNGOLD Das Wunder der Heliane (Bollon)

A new recording of Das Wunder der Heliane is, by definition, an event. The premiere recording in 1993 marked the...

Reviewed by Richard Bratby in issue: 01/2019

Review of CAMPRA L'Europe galante (d'Hérin)

CAMPRA L'Europe galante (d'Hérin)

Incredibly, this is the first complete recording of Campra’s innovative opéra-ballet L’Europe galante (1697); La Petite Bande and Gustav Leonhardt...

Reviewed by David Vickers in issue: 01/2019

Review of BELLINI Norma (Rizzi)

BELLINI Norma (Rizzi)

This is the third filmed version of Norma to have appeared in the past year and, for me, the best...

Reviewed by Hugo Shirley in issue: 01/2019

Review of Into the Light (The Telegraph Quartet)

Into the Light (The Telegraph Quartet)

Despite being rather imaginatively programmed and very strongly played, this disc is something of a missed opportunity. The album title...

Reviewed by Guy Rickards in issue: 12/2018

Review of Brass Roots

Brass Roots

This is an engaging, albeit rather short programme of historical recordings from 1967 and 1974. The largest work by far...

Reviewed by Guy Rickards in issue: 01/2019

Review of Minju Choi: Boundless

Minju Choi: Boundless

Minju Choi is a Korean-American pianist who has made a speciality of new American music in her recitals, so it...

Reviewed by Guy Rickards in issue: 01/2019

Review of Sean Kennard: American Classics

Sean Kennard: American Classics

Sean Kennard’s assertive plunge into the Barber Sonata’s exposition sets the tone for the pianist’s excellent grasp of the opening...

Reviewed by Jed Distler in issue: 01/2019

Review of SCHMIDT Quintet for Piano left-hand, Clarinet, Violin, Viola and Cello

SCHMIDT Quintet for Piano left-hand, Clarinet, Violin, Viola and Cello

Here is something surprising and welcome: the first recording of Franz Schmidt’s Quintet in A for piano left-hand, clarinet, violin,...

Reviewed by Donald Rosenberg in issue: 12/2018

Review of HARBISON Requiem

HARBISON Requiem

John Harbison’s deeply felt, near hour-long Requiem was finished in 2002 after a long gestation period beginning almost two decades...

Reviewed by Laurence Vittes in issue: 12/2018


 

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