Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Few readers will be familiar with these unpretentious and accessible Soviet-era sonatas. The most distinctive is the two-movement score by...
Reviewed by David Gutman in issue: AW18
Daniel Barenboim and Mozart make a heady mix and here the pianist is joined by three string players involved with...
Reviewed by David Threasher in issue: AW18
Michael Gordon (b1956) has enjoyed a productive relationship with the Kronos Quartet stretching back to the beginning of the century,...
Reviewed by Richard Whitehouse in issue: AW18
‘This composer, who was never given to writing for writing’s sake, must not be regarded as a mere disciple of...
Reviewed by Richard Bratby in issue: AW18
The Peter Dickinson discography has increased substantially in the wake of his 80th birthday, and those having acquired the various...
Reviewed by Richard Whitehouse in issue: AW18
Chamber music acoustics can be a very personal thing. There’s a tendency today towards either crystal clarity or something a...
Reviewed by Richard Bratby in issue: AW18
Mozart once pronounced the Quintet for piano and wind instruments his favourite among all his works. It’s easy to see...
Reviewed by David Threasher in issue: AW18
Beethoven’s Septet of 1799-1800 was one of his early successes, leading to a number of arrangements for more manageable forces....
Reviewed by David Threasher in issue: AW18
Beethoven took tremendous care with his Op 1, striving to present himself to a wider public in the best possible...
Reviewed by Andrew Farach-Colton in issue: AW18
Antheil composed his Sonatina and Violin Concerto for Werner Gebauer, a German-born violinist who emigrated to the US in 1938....
Reviewed by Andrew Farach-Colton in issue: AW18
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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