Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Kalevi Aho likes nothing more than a compositional problem to solve, as witness his 28 concertos, many for unlikely instruments....
Reviewed by Andrew Mellor in issue: AW18
The compelling repertoire that the Asia/America New Music Institute presents on its new disc, ‘Transcendent’, speaks volumes for the high...
Reviewed by Donald Rosenberg in issue: AW18
‘Early Departures’ refers to sadness, pain and loss, topics that Matei Varga purports to address in his solo debut recital....
Reviewed by Jed Distler in issue: AW18
Sergei Gorchakov’s orchestration of Mussorgsky’s Pictures was completed in 1955. This is the fifth recording of it I know of,...
Reviewed by Guy Rickards in issue: AW18
As far as composer Juan Pablo Jofre Romarion is aware, there is no double concerto for violin and bandoneon, aside...
Reviewed by Guy Rickards in issue: AW18
Nicole Chamberlain’s portfolio of prize-winning pieces for flute is a lovely bouquet to the flautist’s art. Considering the composer’s success...
Reviewed by Laurence Vittes in issue: AW18
Two core works of the violin-piano repertoire share a programme with pieces by Mahler – one familiar, though not in...
Reviewed by Donald Rosenberg in issue: AW18
Thomas Bowes’s rough-hewn, deeply human new recording of Bach’s Sonatas and Partitas is at every level a reflection on how...
Reviewed by Laurence Vittes in issue: AW18
English-born Simon Andrews (b1958) was educated at Chichester Cathedral Chorister School, the Royal Academy of Music, Oxford University and the...
Reviewed by Guy Rickards in issue: AW18
Following live festival performances last year, the talented young Scottish guitarist Sean Shibe brings this bracingly original concert programme featuring...
Reviewed by William Yeoman in issue: AW18
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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