Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Un giorno di regno was Verdi’s only opera buffa, an early work composed in 1840 and a far cry from...
Reviewed by Mark Pullinger in issue: 07/2018
This historic first recording of Ethel Smyth’s masterpiece The Wreckers derives from a meticulously prepared 1994 Henry Wood Promenade Concert,...
Reviewed by Richard Osborne in issue: 07/2018
Much as the victim of a street mugging might ask ‘Why me?’, so one’s tempted to ask ‘Why Mosè in...
Reviewed by Richard Osborne in issue: 07/2018
Giulio Ricordi will always be remembered as the tenacious publisher who engineered Verdi’s collaboration with Boito and later championed Puccini,...
Reviewed by Tim Ashley in issue: 07/2018
The USP of this enjoyable production is that it comes from the Estates Theatre in Prague, the very building in...
Reviewed by Richard Lawrence in issue: 07/2018
Max Emanuel Cencic performs the dual role of both stage director and title-hero for this production, filmed at the Karlsruhe...
Reviewed by David Vickers in issue: 07/2018
Il borgomastro di Saardam – ‘The Mayor of Saardam’ – is a melodramma giocoso, first performed in Naples in August...
Reviewed by Richard Lawrence in issue: 07/2018
Francesca Caccini, daughter of the tempestuous professional singer Giulio, a composer best known for his landmark song collection Le nuove...
Reviewed by Iain Fenlon in issue: 07/2018
The Prophetiae Sibyllarum have had several outings on disc, mostly with mixed, medium-sized choirs (Daedalus, Vocalconsort Berlin, Brabant Ensemble). This...
Reviewed by Fabrice Fitch in issue: 07/2018
The soprano solo that opens Leighton’s Of a rose is all my song flowers out of frosty silence, gradually pushing...
Reviewed by Alexandra Coghlan in issue: 06/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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