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We, Like Salangan Swallows …

This panorama of visionary sound and process from Morton Feldman and contemporaries covers a period in American music when Feldman,...

Reviewed by Laurence Vittes in issue: 07/2018

STRAVINSKY The Rite of Spring. The Firebird Suite (Bernard)

There was a time when The Rite of Spring put an orchestra through its paces, and the palpable effort of...

Reviewed by Andrew Farach-Colton in issue: 07/2018

KNEHANS Unfinished Earth. Tempest

There are many really fine American composers for orchestra at the moment, though few have the international presence of, say,...

Reviewed by Guy Rickards in issue: 07/2018

RACHMANINOV Variations on a Theme of Corelli LISZT Paganini Etudes

Many pianists, I suspect, would envy the long résumé of recital dates, chamber music collaborations and teaching credits mentioned in...

Reviewed by Jed Distler in issue: 07/2018

HAYDN Piano Sonatas Vol 2 (McDermott)

Anne-Marie McDermott’s second release for Bridge devoted to Haydn further testifies to her masterful affinity for the composer’s style, as...

Reviewed by Jed Distler in issue: 07/2018

BUCH String Quartets: From the River Flow the Stars

A cursory glance at the titles of these string quartets – all part of larger compositional series – might suggest...

Reviewed by Guy Rickards in issue: 06/2018

BERLIOZ Requiem (Falletta)

The ideal way to take in the wonders of the Berlioz Requiem is to attend a performance in a concert...

Reviewed by Donald Rosenberg in issue: 06/2018

JL ADAMS everything that rises

Everything That Rises (2017) is John Luther Adams’s fourth string quartet, following close on the heels of untouched (2015). In...

Reviewed by Guy Rickards in issue: 07/2018

Filippo Mineccia: Siface; L’amor castrato

Filippo Mineccia’s new recital takes as its starting point the circumstances surrounding the death, on May 29, 1697, of the...

Reviewed by Tim Ashley in issue: 07/2018

WAGNER Das Rheingold (Elder)

The third instalment of the Hallé’s slowly assembling Ring cycle – this episode from a concert and rehearsals in November...

Reviewed by Mike Ashman in issue: 07/2018

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