Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
My first exposure to the playing of the Croatian pianist Goran Filipec was on a stunning disc of Paganini studies...
Reviewed by Jeremy Nicholas in issue: 06/2018
The complete Stravinsky solo works are a daunting undertaking and Oxana Shevchenko, who took first prize in the 2010 Scottish...
Reviewed by David Fanning in issue: 06/2018
Marc-André Hamelin is one of those artists who warrant frequent attention. Now 56 and presumably at the peak of his...
Reviewed by Patrick Rucker in issue: 06/2018
To that old chestnut ‘does the composer write for the instrument or the performer?’, the answer is probably a bit...
Reviewed by Pwyll ap Siôn in issue: 06/2018
Reviewing debut discs can be hazardous in the light of later developments. The first Gramophone review of Argerich, for instance,...
Reviewed by Michelle Assay in issue: 06/2018
The Romeo and Juliet transcriptions here are no mere scaling-up of the Ten Pieces Prokofiev himself produced for solo piano....
Reviewed by David Fanning in issue: 06/2018
How refreshing to find a pianist choosing Medtner for his debut CD. And this is clearly no casual decision, for...
Reviewed by Harriet Smith in issue: 06/2018
Lucille Chung, the Canadian pianist whose previous recordings have included Scriabin, Poulenc and Ligeti, has now turned to Liszt, with...
Reviewed by Patrick Rucker in issue: 06/2018
Friedrich Gulda’s jazz and pop persona didn’t always sit well with critics and fans who wished he’d simply focus on...
Reviewed by Jed Distler in issue: 06/2018
As his Beethoven sonata cycle progresses, James Brawn’s lean, dry-point style seems more comfortable in its own skin, with less...
Reviewed by Jed Distler in issue: 06/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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