Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
At last! Anyone fascinated by fin de siècle Vienna will have heard of Richard Heuberger: friend of Brahms and outspoken...
Reviewed by Richard Bratby in issue: 06/2018
When Daniela Dessì died in August 2016, the opera world lost an Italian spinto in the old-school mould. This Blu-ray...
Reviewed by Hugo Shirley in issue: 06/2018
In the late 1950s or ’60s, if you were studying for A level, the tragicomedy The Visit of the Old...
Reviewed by Mike Ashman in issue: 06/2018
In the (admittedly unlikely) scenario that an alien landed on earth and demanded to be brought up to speed on...
Reviewed by Alexandra Coghlan in issue: 06/2018
‘O radiant Luminary’: composers down the ages have attempted to catch light in music, but the opening of Prayer to...
Reviewed by Peter Quantrill in issue: 06/2018
Following his intriguing Machaut/Stravinsky Mass pairing (5/17), Simon-Pierre Bestion offers us a Resurrection History similarly recontextualised, associating it with selections...
Reviewed by Fabrice Fitch in issue: 06/2018
Antonio Florio and his enterprising accomplices continue to mine the rich seams of forgotten Neapolitan Baroque composers. Donato Ricchezza (c1650-1722)...
Reviewed by David Vickers in issue: 06/2018
Purists immune to the charms of Martha Argerich and Sergei Babayan’s Prokofiev for Two (see page 65) might prefer the...
Reviewed by David Gutman in issue: 06/2018
With one exception, Mozart’s works for Masonic functions are among his most neglected. True, they are mainly occasional works, often...
Reviewed by David Threasher in issue: 06/2018
Monteverdi published two monumental collections of church music during his lifetime (in 1610 and 1641), but these must have been...
Reviewed by David Vickers in issue: 06/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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