Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
As Donald Rosenberg noted (6/22US) of a previous album of hers, ‘Margaret Brouwer covers a lot of emotional territory in...
Reviewed by Guy Rickards in issue: 09/2024
Numerous chamber orchestras have recorded the Brahms symphonies over the past quarter of a century. My favourite features the Chamber...
Reviewed by Andrew Farach-Colton in issue: 09/2024
I don’t know whose idea this album was, but it was a good one. We hear too little of the...
Reviewed by Jeremy Nicholas in issue: 09/2024
>Thirty-two-year-old Chinese pianist Tianqi Du has been devoting his early career to Bach, and boldly chose the Goldberg Variations for...
Reviewed by Lindsay Kemp in issue: 09/2024
Joana Mallwitz’s first recording for the yellow label is something of a triumph. The programme is generous and will hopefully...
Reviewed by David Gutman in issue: 09/2024
This is the second instalment in the Pacifica Quartet’s three-disc project exploring the ‘sounds of America’ in anticipation of the...
Reviewed by Thomas May in issue: 09/2024
‘Between Breath’, the New Focus label’s fourth release devoted to music by Scott Wollschleger, contains four premieres written over a...
Reviewed by Jed Distler in issue: 09/2024
Having released upwards of 20 albums over a period of nearly 30 years, primarily for his own jazz quartet and...
Reviewed by Pwyll ap Siôn in issue: 09/2024
Composers grapple with the subject of death in myriad ways, most directly through settings of the Requiem Mass or variations...
Reviewed by Donald Rosenberg in issue: 09/2024
There’s something grimly irresistible about Zemlinsky’s short and sharp Eine florentinische Tragödie (premiered in 1917). Based on Oscar Wilde’s fragmentary...
Reviewed by Hugo Shirley in issue: 08/2024
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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