Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Grace Williams’s reputation has, for many years, been predicated on her abilities as an instrumental composer, notably the two works...
Reviewed by Jeremy Dibble in issue: 08/2024
This significant and highly enjoyable release offers a generous cross-section of both well-known and hitherto neglected repertory by, arguably, the...
Reviewed by Malcolm Riley in issue: 08/2024
Orazio Vecchi had two stints as maestro di cappella at the cathedral in his native Modena, although early in his...
Reviewed by David Vickers in issue: 08/2024
As Fabrice Fitch explained in his Gramophone Collection in the last issue, there is already an extensive discography for Heinrich...
Reviewed by Edward Breen in issue: 08/2024
Alessandro Scarlatti composed more than 800 cantatas, so it is little wonder that these four for soprano voice, two violins...
Reviewed by David Vickers in issue: 08/2024
‘The songs of Roger Quilter seem to have been with me all my life’, James Gilchrist tells us in a...
Reviewed by Tim Ashley in issue: 08/2024
A few of Bononcini’s sacred works copied in English 18th-century manuscripts can be connected to their use in concerts by...
Reviewed by David Vickers in issue: 08/2024
APR first issued this iconic collection in 1992 (APR7020, 6/92). It was a revelation for many pianophiles who had either...
Reviewed by Jeremy Nicholas in issue: 08/2024
The second volume of Rebeca Omordia’s ‘African Pianism’ proves as much of a revelation as the first (5/22). The opening...
Reviewed by Jed Distler in issue: 08/2024
Whether or not he would admit it, playing jazz piano in the cafés of post-war Cologne left its mark on...
Reviewed by Peter Quantrill in issue: 08/2024
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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