Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The legacy of 14 quartets by Conrado del Campo (1878-1953) has so far not won the attention of Naxos’s compendious...
Reviewed by Peter Quantrill in issue: 08/2024
Recordings of Buxtehude’s trio sonatas enjoy a healthy presence in the catalogue these days, no doubt because their unusual scoring...
Reviewed by Lindsay Kemp in issue: 08/2024
‘Will Mullova keep us waiting another ten or more years for her next sonata instalment’, I asked when the second...
Reviewed by David Threasher in issue: 08/2024
Fifty years ago, the LSO and Ole Schmidt gave us the first complete recording of Nielsen’s symphonies, braving power cuts...
Reviewed in issue 08/2024
There are now two versions of Vaughan Williams’s big-boned Fantasia for piano and orchestra (1896-1904) to choose from. Never published...
Reviewed by Geraint Lewis in issue: 08/2024
Dima Slobodeniouk has his Galician orchestra at the tip of his baton in the crisp sforzandos that punctuate the first...
Reviewed by Peter Quantrill in issue: 08/2024
Hard on the heels of the release of Kenneth Woods and the English Symphony Orchestra’s fifth instalment (devoted to Steve...
Reviewed by Guy Rickards in issue: 08/2024
Ferdinand Ries is better known now for his association with Beethoven. His own music is not an unknown quantity, though,...
Reviewed by David Threasher in issue: 08/2024
Mexican composer Gabriela Ortíz (b1964) carries on where Carlos Chávez, Silvestre Revueltas and other mid-20th-century modernists left off – creating...
Reviewed by Andrew Farach-Colton in issue: 08/2024
Michael Collins and the Philharmonia here kick off their projected Mozart symphony cycle in splendid style: three joyful, extrovert works...
Reviewed by Richard Wigmore in issue: 08/2024
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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