Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Howard Griffiths’s ‘Next Generation Mozart Soloists’ series has done sterling work in promoting young musicians and giving them valuable studio...
Reviewed by David Threasher in issue: 08/2024
Good things come to those who wait, they say, and at last – three decades on from its inauguration –...
Reviewed by David Threasher in issue: 08/2024
Positives first. This is a fine-sounding Mahler Third – up there with Manfred Honeck’s Pittsburgh account in the sonic stakes...
Reviewed by Edward Seckerson in issue: 08/2024
Lise Illean was born in Australia but is now based in the UK. Her compositions draw on landscapes that are...
Reviewed by Pwyll ap Siôn in issue: 08/2024
Performances of Joseph Haydn’s two cello concertos always seem to be about the fast outer movements, but these recordings by...
Reviewed by Laurence Vittes in issue: 08/2024
Richard Strauss once suggested that Elektra should be conducted like Mendelssohn’s ‘fairy music’. And if you’ve ever wondered what such...
Reviewed by Richard Bratby in issue: 08/2024
Smart coupling. Two more contrasting takes on Maeterlinck’s symbolist drama would be hard to imagine: the Schoenberg heated and densely...
Reviewed by Edward Seckerson in issue: 08/2024
Eric Coates is a composer to whom one returns in the sure knowledge that the spirits will be lifted, the...
Reviewed by Adrian Edwards in issue: 08/2024
What is at stake in Bruckner’s unfinished Ninth Symphony, writes Volker Hagedorn in an excellent booklet essay, is nothing less...
Reviewed by Richard Osborne in issue: 08/2024
The New Anton Bruckner Complete Edition includes three full versions of the composer’s Third Symphony, all of which have now...
Reviewed by Christian Hoskins in issue: 08/2024
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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