Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Along with the Hilliard Ensemble and Gothic Voices, The Orlando and The Binchois Consorts have devoted a substantial proportion of...
Reviewed by Fabrice Fitch in issue: 04/2017
The newest volume of Stone Records’ complete Wolf series mixes young and old, early and late. Into the second category...
Reviewed by Hugo Shirley in issue: 04/2017
The Flemish-born composer Giaches de Wert (1535 96), famous for being Monteverdi’s predecessor at Mantua, is perhaps best remembered today...
Reviewed by Edward Breen in issue: 04/2017
Sullivan’s songs, like so much of his music away from his collaboration with Gilbert, have largely vanished into obscurity, so...
Reviewed by Tim Ashley in issue: 04/2017
No choir on the planet has as much experience or affinity with Kullervo as the YL Male Voice Choir and...
Reviewed by Andrew Mellor in issue: 04/2017
It’s only a year or so since I welcomed Schütz’s third volume of Symphoniae sacrae from these artists alongside a...
Reviewed by Fabrice Fitch in issue: 04/2017
One of my musical regrets is that I never heard Fischer-Dieskau live in Winterreise. This DVD, made for German television...
Reviewed by Richard Wigmore in issue: 04/2017
Missa Clementina, the first of Scarlatti’s Masses dedicated to Pope Clement XI, was composed in 1705; autograph material in the...
Reviewed by David Vickers in issue: 04/2017
When the organist and choirmaster John Scott died in 2015, aged just 59, he left the world of church music...
Reviewed by Alexandra Coghlan in issue: 04/2017
Any new recording from The Sixteen is going to be well worth hearing. It almost goes without saying that the...
Reviewed by Marc Rochester in issue: 04/2017
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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