Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
There seems to be a trend these days for creating new orchestra-only arrangements of music from Strauss’s operas. We’ve just...
Reviewed by Hugo Shirley in issue: 04/2017
Three recordings of the Alpensinfonie have appeared within the past year, with this one from Mariss Jansons following those from...
Reviewed by Hugo Shirley in issue: 04/2017
Plenty of recordings of the Cello Concerto No 1. Plenty of recordings of the Cello Sonata No 2. Single discs...
Reviewed by Jeremy Nicholas in issue: 04/2017
The centrepiece in this collection of recent works by Tarik O’Regan for choir and/or orchestra is A Celestial Map of...
Reviewed by Pwyll ap Siôn in issue: 04/2017
Recordings are coming thick and fast from the Swedish violinist Cecilia Zilliacus and each argues emphatically that strength of tone,...
Reviewed by Andrew Mellor in issue: 04/2016
What an apt coupling this is. The two composers were close friends; Medtner’s Second Concerto, completed in the summer of...
Reviewed by Jeremy Nicholas in issue: 04/2017
György Ligeti’s 1966 Cello Concerto is meant to grow from the brink of silence, with a sustained note that gradually...
Reviewed by Philip Clark in issue: 04/2017
The first instalment of Andrew Davis’s Ives series (5/15), which included the First and Second Symphonies, was generally well received...
Reviewed by Philip Kennicott in issue: 04/2017
Harry Christophers and his Boston ensemble complete their cycle of the three ‘Times of Day’ symphonies, the three violin concertos...
Reviewed by David Threasher in issue: 04
So is Johan Halvorsen’s 1909 Violin Concerto – presumed destroyed until it was found in 2015 – a rediscovered masterpiece?...
Reviewed by Andrew Mellor in issue: 04/2017
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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