Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
This is a singularly exotic issue for Czechs and non-Czechs alike. Four cantatas are collected here, written by Martinů between...
Reviewed by Ivan Moody in issue: 03/2017
This Wozzeck was a retirement gift from the Houston Symphony to its Music Director of 12 years’ standing, Hans Graf....
Reviewed by Peter Quantrill in issue: 03/2017
Anyone who enjoyed Benjamin Appl’s previous disc, a Schubert recital (Wigmore Hall Live, 7/16), will recognise the same qualities on...
Reviewed by Hugo Shirley in issue: 03/2017
This is one of the finest two-piano recitals to come my way for quite some time – though I may...
Reviewed by Jeremy Nicholas in issue: 03/2017
In case you cast an eye across the movement contents of Op 130 and feel short-changed because Beethoven’s rewritten finale...
Reviewed by Rob Cowan in issue: 03/2017
This generous coupling of two RVW masterworks reprises – and outshines – Andrew Davis’s own Teldec British Line offering from...
Reviewed by Andrew Achenbach in issue: 03/2017
None of the 91 composers featured on the previous 69 volumes in Hyperion’s Romantic Piano Concerto series has been a...
Reviewed by Jeremy Nicholas in issue: 03/2017
The young French harpsichordist Jean Rondeau made his debut on Erato in 2015 with ‘Imagine’, a recital of Bach keyboard...
Reviewed by Charlotte Gardner in issue: 03/2017
Arguments about period versus modern instruments in Baroque repertoire may reign forever, but performances in recent decades have proved that...
Reviewed by Donald Rosenberg in issue: 03/2017
The Waldland Ensemble have two missions: expanding the repertoire for clarinet, viola and piano, and raising awareness of conservation issues....
Reviewed by Donald Rosenberg in issue: 03/2017
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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