Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
If one needed a musical pick-me-up, nothing better could refresh a jaded ear than this sparkling, generously filled disc of...
Reviewed by Malcolm Riley in issue: 03/2017
Is it going too far to say that Claudio Ambrosini has written, in his 1975 work for solo guitar Notturno...
Reviewed by William Yeoman in issue: 03/2017
What might seem at first glance a bit of a hotchpotch of a disc, on closer acquaintance listens like a...
Reviewed by Guy Rickards in issue: 03/2017
There is much to enjoy on this DVD. Individually the young Polish musicians are all accomplished and conscientious, and their...
Reviewed by David Fanning in issue: 03/2017
This is the first comprehensive set of the music for string quartet by a composer whose notated yet completely silent...
Reviewed by Rob Cowan in issue: 03/2017
Leonard Elschenbroich continues his exploration of less ubiquitous Soviet fare with this fine album dedicated to a creative voice he...
Reviewed by David Gutman in issue: 03/2017
‘Believe me, my Quintet Op 64 will make the rounds!’ declared Max Reger. Oh dear. As Parnassus Akademie’s pianist Kolja...
Reviewed by Richard Bratby in issue: 03/2017
No sooner had I commented on the unusual Prokofiev/Rachmaninov coupling in my Moser/Korobeinikov review (in the February issue) than this...
Reviewed by Harriet Smith in issue: 03/2017
Interestingly, the first time Paganini’s 24 Caprices were recorded in any form was in 1940 with Ferdinand David’s piano accompaniments...
Reviewed by Jeremy Nicholas in issue: 03/2017
Mozart is widely held to have detested the flute, despite the fact that he wrote a whole opera about one...
Reviewed by David Threasher in issue: 03/2017
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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