Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Interest in Arthur Lourié (1892-1966), the erstwhile Soviet music commissar who defected to the West in 1922, seems to be...
Reviewed by Patrick Rucker in issue: 01/2017
This is a fascinating CD; we hear sounds from a pipe organ far removed from the everyday world of choral...
Reviewed by Christopher Nickol in issue: 01/2017
The Cuban-born American-based pianist Horacio Gutiérrez has enjoyed a successful international career for more than four decades, yet he’s made...
Reviewed by Jed Distler in issue: 01/2017
Admirers of European keyboard music of the 16th century will welcome this recording of Cavazzoni’s complete organ works. The programme...
Reviewed by Christopher Nickol in issue: 01/2017
Evidence of Quirine Viersen’s pedigree in period performance is inescapable in her performance of Britten’s three cello suites, written for...
Reviewed by Caroline Gill in issue: 01/2017
Early and late works make up the fifth and final volume of Paavali Jumppanen’s Beethoven sonata cycle. He brings a...
Reviewed by Jed Distler in issue: 01/2017
The newest role Elı-na Garan∂a has added to her stage repertoire is Léonor in Donizetti’s La favorite. This recital, though,...
Reviewed by Hugo Shirley in issue: 01/2017
Rudolf Kempe (here caught in his second of four Bayreuth Ring years) is not a pusher nor a prodder nor...
Reviewed by Mike Ashman in issue: 01/2017
Pergolesi had weightier operatic ambitions than the buffet-sized buffo of La serva padrona. In 1734 he served up the elaborate...
Reviewed by Neil Fisher in issue: 01/2017
No, this is not Fedora. The Italian title masks the identity of Phaedra, wife of Theseus, whose passion for her...
Reviewed by Richard Lawrence in issue: 01/2017
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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