Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Michael Nyman’s 1986 opera The Man Who Mistook His Wife for a Hat is, like other minimalist stage works, a...
Reviewed by Philip Kennicott in issue: 01/2017
For the near future Regula Mühlemann’s diary looks to be dominated by Bach and Mozart. The forthcoming concert performances of...
Reviewed by Richard Fairman in issue: 01/2017
Can the Orpheus and Eurydice legend be dramatised without lyricism? Nowadays, in this pluralistic era where no single aesthetic reigns,...
Reviewed by David Patrick Stearns in issue: 01/2017
The innovations of Niccolò Jommelli (1714 74) transformed mid-18th-century Italian opera just as much as Gluck’s slightly later so-called reforms,...
Reviewed by David Vickers in issue: 01/2017
Premiered in Avignon in August 1976, then toured across six European countries for two months before selling out New York’s...
Reviewed by Pwyll ap Siôn in issue: 01/2017
'Simple but not unintelligent’ is how tenor Lawrence Brownlee describes his L’elisir d’amore character Nemorino, which summarises his approach to...
Reviewed by David Patrick Stearns in issue: 01/2017
Composer, pianist, conductor, concert promoter and educator Erik Chisholm never had the attention he deserved, not at home in Scotland...
Reviewed by Kate Molleson in issue: 01/2017
Far from the monstrous doll figure of Lulus past and present, Marlis Petersen gave the Met audience a Lulu they...
Reviewed by Peter Quantrill in issue: 01/2017
The test of a good crossover record is surely a simple one: does its fusion of genres amplify both of...
Reviewed by Alexandra Coghlan in issue: 01/2017
This mix of songs by pop/jazz composers who have worked with the classics, and vice versa, goes further than mere...
Reviewed by Mike Ashman in issue: 01/2017
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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