Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
This is a moment worth savouring, because discs documenting work by the Polish composer Roman Haubenstock-Ramati (1919 94) come along...
Reviewed by Philip Clark in issue: 11/2016
When Alice Sara Ott’s Liszt Transcendental Etudes appeared a few years back (3/10), I was mightily impressed. But the nearly...
Reviewed by Patrick Rucker in issue: 11/2016
Martyn Brabbins masterminds an expansive, ideally flexible and notably unflustered reading of Elgar’s In the South, one which quarries this...
Reviewed by Andrew Achenbach in issue: 11/2016
The Dutch composer Alphons Diepenbrock (1862-1921) was one of music’s great amateurs. An academic classicist by profession, he was self-taught...
Reviewed by Tim Ashley in issue: 11/2016
Although it was overshadowed by the furore surrounding the premiere of Stravinsky’s The Rite of Spring a fortnight later, Debussy’s...
Reviewed by Geoffrey Norris in issue: 11/2016
‘A clarinet can sound as hysterical as – pardon me – a woman.’ Irmlind Capelle’s booklet-note quotes Carl Nielsen’s provocative...
Reviewed by Mark Pullinger in issue: 11/2016
Less is more, as the saying goes. It’s a paradox that Chaya Czernowin (b1957) pushes to the hilt here, crafting...
Reviewed by Liam Cagney in issue: 11/2016
Although the 1887 version of Bruckner’s Eighth Symphony is generally regarded as being inferior to the revision that appeared in...
Reviewed by Christian Hoskins in issue: 11/2016
Given their long history of Bruckner performances under principal conductors such as Hausegger, Kabasta, Celibidache and Thielemann, the Munich Philharmonic’s...
Reviewed by Christian Hoskins in issue: 11/2016
Search for a composer connecting George Benjamin to Tristan Murail, and look no further than Olivier Messiaen, who taught the...
Reviewed in issue 11/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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