Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
This disc appears almost simultaneously with Antonio Pappano’s very appealing live recordings of the same two symphonies (reviewed in the...
Reviewed by David Threasher in issue: 11/2016
Is Valery Gergiev unchallengeable in this repertoire? He may be at something like his best in his recent Mariinsky remakes...
Reviewed by David Gutman in issue: 11/2016
How many times have I regretted a shortage of fantasy, flair and fairy-tale imagination in recordings of the Prokofiev piano...
Reviewed by David Fanning in issue: 11/2016
This interesting collection of sacred music by Penderecki includes works from various periods of his life. The Psalms of David,...
Reviewed by Ivan Moody in issue: 11/2016
Why concert promoters and record labels have such trouble with Moszkowski I’ll never know, especially his once-celebrated orchestral music. For...
Reviewed by Jeremy Nicholas in issue: 11/2016
Reading Erik Nilsson’s biographical summary of Amanda Maier’s short life (1853 94) and its aftermath – together with his ‘open...
Reviewed by Andrew Mellor in issue: 11/2016
In the wake of Thomas Dausgaard’s remarkably cogent reading of the Deryck Cooke ‘performing version’ of Mahler’s Tenth Symphony, there...
Reviewed by David Gutman in issue: 11/2016
This is such a bewildering mix of the prosaic, the indifferent and the inconsistent that it is hard to know...
Reviewed by Edward Seckerson in issue: 11/2016
London bus syndrome strikes: you wait over 20 years for a new recording of Khachaturian’s Second Symphony – dubbed ‘Symphony...
Reviewed by Mark Pullinger in issue: 11/2016
Few of us, I suspect, will have encountered either of these Australian composers, so a brief introduction is in order....
Reviewed by Jeremy Nicholas in issue: 11/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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