Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
For the last 16 years of his life, Debussy worked intermittently on a pair of one-act operas based on the...
Reviewed by Tim Ashley in issue: AW16
This Fidelio was among the high-profile offerings at the 2015 Salzburg Festival. Jonas Kaufmann led the cast with the excellent...
Reviewed by Hugo Shirley in issue: AW16
The organ of the McEwan Hall, University of Edinburgh, is now back in action after a major overhaul. Built in...
Reviewed by Jeremy Nicholas in issue: AW16
This is the first volume in a project to, as the blurb puts it, ‘show the stylistic breadth, high musical...
Reviewed by Harriet Smith in issue: AW16
The music of György Kurtág, who celebrated his 90th birthday in February, is enjoying a richly deserved if belated groundswell...
Reviewed by Patrick Rucker in issue: AW16
Harpsichordist Mitzi Meyerson has tremendous fun with these Eight Setts of Lessons for the Harpsichord by the English composer John...
Reviewed by Philip Kennicott in issue: AW16
It’s often said that Hans Werner Henze’s music for solo guitar displays a more intimate, lyrical aspect of the German...
Reviewed by William Yeoman in issue: AW16
Glinka’s piano music holds its place in the repertoire about as firmly as his (far more significant) operas A Life...
Reviewed by Jeremy Nicholas in issue: AW16
As a Beethoven interpreter, Angela Brownridge hits and misses. Her long experience with Op 2 No 3 reveals itself in...
Reviewed by Jed Distler in issue: AW16
If dozens of recordings of Bartók’s Solo Sonata are available, scarcely a handful of violinists have recorded the solo pieces...
Reviewed by Patrick Rucker in issue: AW16
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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