Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The four violin sonatas that Charles Ives assembled between 1902 and 1915 have never been big hitters in the same...
Reviewed by Philip Clark in issue: 09/2016
Naming your new trio after one of the greatest chamber ensembles of the 20th century certainly suggests noble aspirations, and...
Reviewed by Rob Cowan in issue: 09/2016
Perhaps Rebecca Clarke’s time is finally approaching. It is only a few months since the Italian viola player Diana Bonatesta...
Reviewed by Hannah Nepil in issue: 09/2016
Through his early studies with Josef Polnauer, a member of the Schoenberg circle, Friedrich Cerha is one of the few...
Reviewed in issue 09/2016
A lightning-flash of piano semiquavers, the violin pulls itself defiantly up to its full height, and Georgy Catoire’s First Violin...
Reviewed by Richard Bratby in issue: 09/2016
Trattenimenti armonici da camera (Bologna, 1695) was the first publication by Francisco José de Castro, an Andalusian Jesuit probably trained...
Reviewed by David Vickers in issue: 09/2016
A note in the booklet by these Belgian artists – still in their twenties – says that their duo partnership...
Reviewed by Stephen Plaistow in issue: 09/2016
In her booklet-notes, violinist Miranda Cuckson claims a personal connection to this all-Slavic cocktail: ancestors of her Viennese grandfather apparently...
Reviewed by Hannah Nepil in issue: 09/2016
It says something when the most familiar piece on a disc is Andrzej Panufnik’s Violin Concerto. In fact these four...
Reviewed by Richard Bratby in issue: 09/2016
During the 17th and 18th centuries, Vienna’s Habsburg Court was one of the foremost political and cultural centres in Europe....
Reviewed by Charlotte Gardner in issue: 09/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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