Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Musical polymath John Frandsen has notched up seven operas and a recent long-form Requiem, ‘an eloquent statement’ for Malcolm Riley...
Reviewed by Andrew Mellor in issue: 09/2016
The seemingly endless flow of Bruckner symphony releases makes it easy to forget that some of the composer’s most inspired...
Reviewed by Christian Hoskins in issue: 09/2016
A welcome addition, this, to the Gerald Barry discography. Bookended by two works setting Beethoven’s letters, the disc also features...
Reviewed in issue 09/2016
This engaging recital focuses on music from the first half of the 16th century known to have been performed by...
Reviewed by Fabrice Fitch in issue: 09/2016
It is becoming ever more routine to couple both Shostakovich piano trios together, and with the half-hour Viola Sonata and...
Reviewed by David Fanning in issue: 09/2016
The Cologne-based Asasello Quartet have programmed Arnold Schoenberg’s four string quartets in reverse order, a journey from the natty arithmetic...
Reviewed by Philip Clark in issue: 09/2016
In the booklet Roman Mints writes of a pre first sonata of Schnittke that he decided not to record because...
Reviewed by David Fanning in issue: 09/2016
Steve Reich will be 80 this year – a landmark date that will no doubt encourage some to reflect on...
Reviewed by Pwyll ap Siôn in issue: 09/2016
Mozart’s piano trios don’t come out to play as often as Haydn’s, despite being among his finest chamber works. (Similarly...
Reviewed by David Threasher in issue: 09/2016
Like so many 17th-century Italian musicians, Giovanni Legrenzi led a peripatetic life. Following a conventional enough start to his career...
Reviewed by Iain Fenlon in issue: 09/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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