Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
When the Pittsburgh composer David Stock died last year, aged 76, he was celebrated for the hearty contributions he had...
Reviewed by Kate Molleson in issue: 08/2016
Virtuoso conducting and immaculate orchestral playing, for sure, but there are drawbacks. Finlandia distils plenty of truculent defiance but there’s...
Reviewed by Andrew Achenbach in issue: 08/2016
With this sixth and final volume in his series of the ‘Complete Symphonic Works’, Heinz Holliger mops up the remaining...
Reviewed by David Threasher in issue: 08/2016
Alan Gilbert and the New York Philharmonic have already set down a cycle of the Nielsen symphonies together with recent...
Reviewed by Richard Whitehouse in issue: 08/2016
Completed in June 1914, the Sinfonia drammatica is essentially an expression of Respighi’s anxieties about the impending First World War....
Reviewed by Tim Ashley in issue: 08/2016
With his high collars and long flowing hair, the Robert Radecke who gazes out from the back of the booklet...
Reviewed by Richard Bratby in issue: 08/2016
This is the third time Mariss Jansons has committed Rachmaninov’s Second Symphony to commercial disc, following earlier versions with the...
Reviewed by David Gutman in issue: 08/2016
The most interesting music on this disc comes first. Selim Palmgren’s Second Piano Concerto (b1913) starts with a mysterious, almost...
Reviewed by David Fanning in issue: 08/2016
For the third volume in Hyperion’s Classical Piano Concerto series Howard Shelley has swapped the Ulster Orchestra for that of...
Reviewed by Harriet Smith in issue: 08/2016
The Norwegian Chamber Orchestra has something of a reputation for working harmoniously with guest soloist-directors, not least among them Leif...
Reviewed by David Threasher in issue: 08/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.