Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
If Michael Praetorius’s music has been widely anthologised, the same is not true of his close contemporary, Erasmus Widmann, who...
Reviewed by Fabrice Fitch in issue: 08/2016
Anthony Poole (c1629-1692) is an obscure composer, no doubt of that. The catalogue of his works runs to over 300...
Reviewed by Lindsay Kemp in issue: 08/2016
Mozart’s penchant for lower-voiced instruments found one of its finest chamber outlets in the Kegelstatt Trio, K498, supposedly composed during...
Reviewed by David Threasher in issue: 08/2016
Eighteenth-century keyboard trios were regularly billed as ‘sonatas for the harpsichord or fortepiano, with the accompaniment of violin and violoncello’....
Reviewed by Richard Wigmore in issue: 08/2016
The writer Iain Sinclair once told me in an interview that Beat culture provided him with a very necessary escape...
Reviewed by Philip Clark in issue: 08/2016
When Brahms played through his First Cello Sonata with its dedicatee, Josef Gänsbacher, the cellist apparently complained that he couldn’t...
Reviewed by Richard Bratby in issue: 08/2016
The Ophelia of Hans Abrahamsen’s let me tell you (2013), the contemporary ‘work of the moment’, surrenders to the deadly...
Reviewed by Andrew Mellor in issue: 08/2016
It maybe seems a bit unfair to pit Strauss’s brilliant Till Eulengspiegel against Die Seejungfrau, more of a slow-burn affair...
Reviewed by Hugo Shirley in issue: 08/2016
Van der Aa acolytes may be surprised at the lack of a visual element in his new Violin Concerto (2014),...
Reviewed by Andrew Mellor in issue: 08/2016
Bartomiej Nizio (b1974 in Poland) has a seductively silky smooth tone and a narrow vibrato, and plays with exactly the...
Reviewed by Jeremy Nicholas in issue: 08/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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