Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Mark Elder presides over a strikingly lissom and cogent account of the mighty Fifth. Not only do the Hallé respond...
Reviewed by Andrew Achenbach in issue: 05/2016
As far as I can see, this is the first appearance of Witold Maliszewski’s music in these pages. Briefly, he...
Reviewed by Jeremy Nicholas in issue: 05/2016
There can’t be many more exuberantly inventive or sheerly enjoyable orchestral showpieces than Lutosławski’s Concerto for Orchestra. Written for Witold...
Reviewed by Andrew Achenbach in issue: 05/2016
Much admired in his lifetime, Lalo’s concertante works still form the basis of his reputation thanks to the abiding popularity...
Reviewed by Tim Ashley in issue: 05/2016
It’s always a pleasure when, like Fry’s Five Boys Chocolate (if you’re old enough to remember), realisation exceeds anticipation. From...
Reviewed by Jeremy Nicholas in issue: 05/2016
Ibert always claimed he followed no compositional schools or aesthetic movements, though his reputation is hampered by charges of eclecticism,...
Reviewed by Tim Ashley in issue: 05/2016
Haydn was a somewhat prolific composer (and performer) of operas for his Esterházy patrons. Ever modest, he nevertheless knew the...
Reviewed by David Threasher in issue: 05/2016
After rubbing your eyes and maybe even hitting your forehead with the palm of your hand a few times to...
Reviewed by Patrick Rucker in issue: 05/2016
Enrique Granados was a victim of the Great War: drowned with his wife in March 1916 after his ferry was...
Reviewed by Richard Bratby in issue: 05/2016
Ernst von Gemmingen cuts an intriguing figure. Born in 1759, he was a violin-playing German aristocrat who combined a series...
Reviewed by Charlotte Gardner in issue: 05/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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