Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The saxophone has a unique status among instruments in having its original reason for existing – as an instrument that...
Reviewed by Philip Clark in issue: 05/2016
Cocktail-lounge Borodin has limited appeal. Smoky saxophones slink and shimmy through the Polovtsian Dances to open this unusual disc from...
Reviewed by Mark Pullinger in issue: 05/2016
This new version of Stravinsky’s morality tale for dancers, actors and musicians was recorded in tandem with a production by...
Reviewed by Tim Ashley in issue: 05/2016
The Quintet is the peak of Schubert’s chamber output and high on any ensemble’s wish-list. The essential recordings range from...
Reviewed by David Threasher in issue: 05/2016
The title of this release and the glowering skyscape on its cover are pure marketing – the piece from which...
Reviewed by Lindsay Kemp in issue: 05/2016
Call me a killjoy, but my pulse rate rarely quickens at the prospect of Mozart’s pre-pubescent music. The three childhood...
Reviewed by Richard Wigmore in issue: 05/2016
The line between poetry and preciousness is a thin one, and I don’t feel the Hagens reliably locate it here....
Reviewed by Richard Wigmore in issue: 05/2016
Beethoven is the obvious and fully acknowledged godparent to David Matthews’s string quartets, and it is to his influence that...
Reviewed by David Fanning in issue: 05/2016
With the exception of some of the big pièces de caractère of Marin Marais, the five suites for bass viol...
Reviewed by Julie Anne Sadie in issue: 05/2016
When, in 2004, John Zorn’s Tzadik label declared its new recording of Morton Feldman’s 1981 cello-and-piano work Patterns in a...
Reviewed by Philip Clark in issue: 05/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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