Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Of all the ill-advised and inappropriate strategies to deploy when performing the solo piano music of Erik Satie, pretending that...
Reviewed by Philip Clark in issue: 03/2016
One of Sviatoslav Richter’s great attributes as a Rachmaninov player was his ability to pick and choose among the compositions,...
Reviewed by Patrick Rucker in issue: 03/2016
There has been a resurgence of interest in Antoine Mariotte of late thanks to the revival, in 2014, of his...
Reviewed by Tim Ashley in issue: 03/2016
It is nearly 20 years since Arnaldo Cohen inaugurated Naxos’s series of all Liszt’s solo piano music (6/97). Leslie Howard,...
Reviewed by Jeremy Nicholas in issue: 03/2016
This latest release from ak Ozmo again demonstrates the London-based lutenist and conductor’s searching intellect and wry imagination. But it...
Reviewed by William Yeoman in issue: 03/2016
Sergei Bortkiewicz (1877-1952) was a man born out of his time, musically and physically. He had no time for atonal...
Reviewed by Jeremy Nicholas in issue: 03/2016
To call Sokolov’s Schubert heavy-laden would certainly be no exaggeration. However, to say, as the gushy booklet essay does of...
Reviewed by David Fanning in issue: 03/2016
Just over a year ago, Philippe Herreweghe and Collegium Vocale Gent released an album of music by William Byrd (‘Infelix...
Reviewed by Alexandra Coghlan in issue: 03/2016
What at first glance might seem a little contrived about this programme quickly reveals itself to be a rather brilliant...
Reviewed by Edward Breen in issue: 03/2016
Recorders and sopranos – it might not be Cav/Pag or Gheorghiu and Alagna, but it’s still one of music’s great...
Reviewed by Alexandra Coghlan in issue: 03/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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