Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Hugo Reyne presents this disc very much in terms of his life with Vivaldi’s recorder concertos, from copying a tune...
Reviewed by Lindsay Kemp in issue: 01/2016
This disc marks a double celebration: 40 years since the foundation of the Orchestre National de Lille and a half-century...
Reviewed by Hugo Shirley in issue: 01/2016
This is the second volume of Hyperion’s Classical Piano Concerto series, one that was launched with Howard Shelley leading the...
Reviewed by Harriet Smith in issue: 01/2016
I doubt Hannu Lintu’s Sibelius would sound the way it does here had the conductor not been so deeply involved...
Reviewed by Andrew Mellor in issue: 01/2016
I like the idea of a CD where top billing passes from one star soloist to another. And I like...
Reviewed by Jeremy Nicholas in issue: 01/2016
The variably transliterated Dmitri Kitaenko, who recorded The Bells for Chandos in the 1990s (2/92), has recently completed a more...
Reviewed by David Gutman in issue: 01/2016
It’s the Shostakovich effect all over again. You might feel that what we need now are good modern recordings of...
Reviewed by David Gutman in issue:
The Thirteenth Symphony (1976) is the largest of Pettersson’s later symphonies, second only in size to No 9, completed just...
Reviewed by Guy Rickards in issue: 01/2016
To Mendelssohn Thomas Dausgaard brings the qualities that have distinguished his cycles of Beethoven, Schubert and Schumann, notably a spring...
Reviewed by Peter Quantrill in issue: 01/2016
The competition is formidable – that’s why it was sensible to find room for Blumine. Whether you choose to experience...
Reviewed by David Gutman in issue: 01/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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