Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Two updated versions of Peter and the Wolf in the same month? Must be Christmas. The first is a knock-out...
Reviewed by Jeremy Nicholas in issue: 12/2015
No fewer than three recent Bournemouth Symphony Orchestra chiefs have been recording Prokofiev symphonies, in Bergen and São Paulo as...
Reviewed by David Gutman in issue: 12/2015
Here is more seemingly effortless music-making from Mariss Jansons. The interpretations of both pieces being broadly consistent with those he...
Reviewed by David Gutman in issue: 12/2015
John Barbirolli came to Wagner in an age when orchestras were often smaller, pitch lower, and good conductors routinely versed...
Reviewed by Richard Osborne in issue: 12/2015
An odd suggestion, perhaps, but start by playing the Larghetto of K413. Conductor Michael Alexander Willens sets the scene, the...
Reviewed by Nalen Anthoni in issue: 12/2015
Given that it was Yannick Nézet-Séguin’s tonally luxuriant Philadelphia Orchestra that made the first commercial recording of the reconstructed Tenth...
Reviewed by David Gutman in issue: 12/2015
Somewhere in this Somm release is a more characterful one struggling to get out. The soloist, the Greek violinist Efi...
Reviewed by Hannah Nepil in issue: 12/2015
Peter Ruzicka follows his pioneering disc of Enescu’s Fifth Symphony and Isis (10/14) with the earlier of the Romanian’s unfinished...
Reviewed by Richard Whitehouse in issue: 12/2015
Henri Dutilleux’s Cello Concerto Tout un monde lointain… (1970) is so intimately wrapped up in his relationship with Mstislav Rostropovich,...
Reviewed by Philip Clark in issue: 12/2015
Tasmin Little’s magnificent new recording of the irresistibly tuneful and big-hearted Violin Concerto that Samuel Coleridge-Taylor wrote in 1912 for...
Reviewed by Andrew Achenbach in issue: 12/2015
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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