Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Luiza Borac reset the bar in Enescu’s solo piano music in her survey (2003 05), overtaking Aurora Ienei (Electrecord/Olympia –...
Reviewed by Guy Rickards in issue: 12/2015
Francesco Piemontesi, who numbers Brendel, Perahia, Weissenberg and Ousset among his teachers, offers a masterly account of Debussy’s Préludes. Yet...
Reviewed by Bryce Morrison in issue: 12/2015
In a recently posted internet interview, Russian-born Dmitri Alexeev discusses his role as a juror of the Chopin Competition and...
Reviewed by Patrick Rucker in issue: 12/2015
Paavali Jumppanen’s latest double-CD release proves the most consistently engaging so far in his Beethoven sonata cycle. The rhythmically astute...
Reviewed by Jed Distler in issue: 12/2015
A frustrating issue. Midori’s careful and polished addition to the extensive catalogue of recordings of Bach’s Sonatas and Partitas for...
Reviewed by Caroline Gill in issue: 12/2015
The Cambridge choral tradition has continued in the US, thanks to the advocacy of John Scott, organ scholar at St...
Reviewed by David Threasher in issue: 12/2015
Few pioneering recordings from any era burn with greater passionate intensity or recreative spark than those set down in London...
Reviewed by Andrew Achenbach in issue: 12/2015
Dmitri Hvorostovsky has always been just as comfortable on the recital platform as on the operatic stage, a state of...
Reviewed by Mark Pullinger in issue: 12/2015
<p>Today Biber is probably the best known of the mid- to late‑17th-century violin virtuoso...
Reviewed by Fabrice Fitch in issue: 12/2015
‘[Senesino] put me in a sweat in telling me that Parthenope was likely to be brought on the stage, for...
Reviewed by Alexandra Coghlan in issue: 12/2015
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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