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Review of Shall We Gather: American Art Songs

Shall We Gather: American Art Songs

The surprise with this vocal recital is that there aren’t more like it. The selected programme is prompted by pandemic-era...

Reviewed by David Patrick Stearns in issue: 12/2021

Review of Licht der Welt: A Christmas Promenade (Christiane Karg)

Licht der Welt: A Christmas Promenade (Christiane Karg)

I’m a bit of a Scrooge when it comes to opera singers doing Christmas albums, but Christiane Karg’s new disc...

Reviewed by Mark Pullinger in issue: 12/2021

Review of À sa guitare (Philippe Jaroussky, Thibaut Garcia)

À sa guitare (Philippe Jaroussky, Thibaut Garcia)

Je suis Barbara, je suis Britten … This eclectic, if not eccentric song recital by the musically promiscuous French countertenor...

Reviewed by William Yeoman in issue: 12/2021

Review of VAUGHAN WILLIAMS Folk Songs Vol 3

VAUGHAN WILLIAMS Folk Songs Vol 3

Albion Records’ exploration of Vaughan Williams’s complete published arrangements of folk song in English with instrumental accompaniment has now reached...

Reviewed by Andrew Achenbach in issue: 12/2021

Review of R STRAUSS  Four Last Songs. Capriccio (Gundula Janowitz)

R STRAUSS Four Last Songs. Capriccio (Gundula Janowitz)

The uncredited but intimately informed booklet notes to this reissue reference David Bowie’s discerning admiration for the Four Last Songs...

Reviewed by Peter Quantrill in issue: 12/2021

Review of SCHUBERT Schwanengesang. String Quintet

SCHUBERT Schwanengesang. String Quintet

These days you can never predict how performers are going to present Schubert’s posthumously published non-cycle. What we get here...

Reviewed by Richard Wigmore in issue: 12/2021

Review of PÄRT Stabat mater (Repušić)

PÄRT Stabat mater (Repušić)

Surely not another Pärt compilation! Yes, and a compelling one it is. While it is true that I could probably...

Reviewed by Ivan Moody in issue: 12/2021

Review of Dorothea Herbert: Die stille Stadt

Dorothea Herbert: Die stille Stadt

The young German soprano Dorothea Herbert is clearly at the start of a promising career; a budding Wagnerian with several...

Reviewed by Hugo Shirley in issue: 12/2021

Review of HANDEL The Choice of Hercules. Dettingen Te Deum (Cummings)

HANDEL The Choice of Hercules. Dettingen Te Deum (Cummings)

Hedonistic ode meets bellicose Te Deum. On the face of it these two works make a left-field coupling. What they...

Reviewed by Richard Wigmore in issue: 12/2021

Review of GABRIELI Motets & Organ Works (Manfred Cordes)

GABRIELI Motets & Organ Works (Manfred Cordes)

It has been well over two decades since Manfred Cordes and his scrupulously excellent period ensemble Weser-Renaissance Bremen released their...

Reviewed by Alexandra Coghlan in issue: 12/2021

Review of BRITTEN Les Illuminations CANTELOUBE Chants d'Auvergne (Mari Eriksmoen)

BRITTEN Les Illuminations CANTELOUBE Chants d'Auvergne (Mari Eriksmoen)

Britten and Canteloube make odd bedfellows, yet Mari Eriksmoen pairs them on her new Chandos album with the Bergen Philharmonic...

Reviewed by Mark Pullinger in issue: 12/2021

Review of JS BACH Ich habe genug. Cantatas BWV32, 82 & 106

JS BACH Ich habe genug. Cantatas BWV32, 82 & 106

John Butt selects an intimate triptych that illuminates different facets and functions of Bach’s well-appointed church music. Two Leipzig works...

Reviewed by David Vickers in issue: 12/2021

Review of Gautier Capuçon: Souvenirs

Gautier Capuçon: Souvenirs

A triple celebration for Gautier Capuçon, this three-disc set simultaneously marks his 40th birthday, 35 years playing the cello and...

Reviewed by Andrew Farach-Colton in issue: 12/2021

Review of Krzysztof Meisinger: Elogio de La Guitarra

Krzysztof Meisinger: Elogio de La Guitarra

For his Chandos debut, the Polish guitarist Krzysztof Meisinger continues his love affair with the nuevo tango of Piazzolla while...

Reviewed by William Yeoman in issue: 12/2021

Review of Alexander Gadjiev: Live

Alexander Gadjiev: Live

Despite the variety of piano brands and differing acoustic ambience throughout these live-in-studio performances recorded for the 2021 Sydney International...

Reviewed by Jed Distler in issue: 12/2021

Review of SCHUBERT Impromptus D899. Moments Musicaux D780 (Alexandre Tharaud)

SCHUBERT Impromptus D899. Moments Musicaux D780 (Alexandre Tharaud)

If, like me, you were enraptured by Michael Haneke’s 2012 Palme d’Or-winning film Amour, then this disc should come to...

Reviewed by Michelle Assay in issue: 12/2021

Review of LIGETI Études pour Piano (Cathy Krier)

LIGETI Études pour Piano (Cathy Krier)

In 2014 Cathy Krier released an intriguing album programming Ligeti’s complete Musica ricercata in between two groups of Rameau keyboard...

Reviewed by Jed Distler in issue: 12/2021

Gramophone Classical Music Awards Winner
Review of DVORÁK The Complete Piano Works (Ivo Kahanek)

DVORÁK The Complete Piano Works (Ivo Kahanek)

Doubtless you’ve heard, or at the very least heard of, Dvořák’s Slavonic Dances. But his Scottish Dances? They turn out...

Reviewed by Rob Cowan in issue: 12/2021

Review of CHOPIN Preludes. Polonaise-Fantaisie. Fantaisie-Impromptu (Aimi Kobayashi)

CHOPIN Preludes. Polonaise-Fantaisie. Fantaisie-Impromptu (Aimi Kobayashi)

The Japanese pianist Aimi Kobayashi, now 26, released her debut recording over a decade ago. She was a finalist in...

Reviewed by Jeremy Nicholas in issue: 12/2021

Review of CHOPIN Complete Nocturnes (Stephen Hough)

CHOPIN Complete Nocturnes (Stephen Hough)

In answer to the reasonable question, ‘Who, at this late date, could have something fresh and original to say in...

Reviewed by Patrick Rucker in issue: 12/2021





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