Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Maria Kliegel’s greatest strength is her sensitivity to the more introspective aspects of both concertos – the First especially, where...
Reviewed in issue 10/1996
From Mozart's first set of 'mature' violin and piano sonatas of 1778 (CD DG410 896-2GH, 4/84 and 415 102-2GH, 7/85),...
Reviewed by Joan Chissell in issue: 4/1987
The avowed intention of this record is to champion the music of two Interesting Historical Figures (as Tovey would probably...
Reviewed by rgolding in issue: 9/1985
This delightful release finds Stephen Hough revisiting Virgin territory. A bad pun, yes, but not an oxymoron! Hough recorded two...
Reviewed by Jed Distler in issue: 12/1999
The sheer variety of Reger’s music could hardly be better suggested than by this pair of discs. Reger the wild...
Reviewed in issue 10/2002
Good studio recordings of Andrea Chénier are in plentiful supply, Corelli's own of 1963 (see above) among them. But the...
Reviewed by John Steane in issue: 3/2007
It was a characteristically bold step by the 21-year-old Ginastera to make his Op 1 an ambitiously scored orchestral ballet...
Reviewed by Guy Rickards in issue: 2/2007
With this third volume (the first two were reviewed in 12/96), Nicholas Ward and the Northern Chamber Orchestra complete their...
Reviewed by John Warrack in issue: 13/1997
Andrew Ford‚ born in Britain 45 years ago but resident in Australia for the last 20‚ is a composer who...
Reviewed by Michael Oliver in issue: 8/2002
Johan Kaspar Mertz was born in Pressburg (now Bratislava) in 1806. It is not known who taught him to play‚...
Reviewed in issue 13/2002
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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