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Fandango

As the Carmina Quartet point out in their booklet-notes, this is not the usual kind of quartet disc, but one...

Reviewed by Lindsay Kemp in issue: 7/2010

Verdi Choruses

Solti's collection of Verdi choruses is not derived from his various opera sets, but newly and resplendently recorded, with the...

Reviewed by Ivan March in issue: 4/1991

Vivaldi Orlando finto pazzo

Opus 111’s Vivaldi series continues to expand at bewildering pace, as indeed it needs to if its aim of recording...

Reviewed by Lindsay Kemp in issue: 9/2004

Rameau Hippolyte et Aricie

If I were pressed to nominate the greatest single acts in baroque opera, high on the list would be Act...

Reviewed by Lionel Salter in issue: 6/1997

Ewa Podles - Russian Arias

Mussorgsky’s Songs and Dances of Death really divide into two for women and two for men‚ though there is no...

Reviewed in issue 10/2002

Aureole

The flute and harp, each beautiful in itself and possessing Elysian associations, can together transport us into paradisal realms, and...

Reviewed by Christopher Headington in issue: 7/1993

Giordano Andrea Chenier

The only thing to be done with Andrea Chenier, it is commonly argued, is to let three big, exciting and...

Reviewed by Michael Oliver in issue: 11/1987

Glazunov Raymonda

If you want to be reminded just how great the three Tchaikovsky ballets really are – and why The Sleeping...

Reviewed in issue 8/1996

Rózsa Symphony in Three Movements; The Vintner's Daughter

Rozsa's only symphony has an intriguing history. Written in 1930, when the composer was 23, it was his first major...

Reviewed by rseeley in issue: 6/1994

Mozart Lieder

What is one to say except that this is another triumph for this superb partnership? For years Schreier has been...

Reviewed by Alan Blyth in issue: 8/1992

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