Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Welcoming NMC’s first Woolrich disc‚ of relatively smallscale vocal and chamber music (10/96)‚ I expressed the hope ‘that recordings of...
Reviewed in issue 9/2001
This new release of Bach's four orchestral suites, BWV1066/9, together with a fifth, completes a project with Musica Antiqua began...
Reviewed by Nicholas Anderson in issue: 10/1986
Strictly speaking two of the four works on this disc are not flute concertos at all: the Honegger, like the...
Reviewed by Robert Layton in issue: 8/1991
I gave a warm welcome to the debut recording by Stephen Coombs and Christopher Scott (LDR/Gamut (CD) LDRCD1009, 1/90), an...
Reviewed by Christopher Headington in issue: 2/1991
Antoni Wit completes his Mahler cycle for Naxos with the Eighth Symphony in an aptly celebratory interpretation – one that...
Reviewed by Andrew Farach-Colton in issue: 9/2006
That Pogorelich loves the music of Bach is not to be doubted, in fact he can't get too much of...
Reviewed by John Duarte in issue: 12/1986
This is the sixth recording of Schoenberg's Brahms orchestration to be issued since Simon Rattle's (EMI, 6/86). If only Schoenberg's...
Reviewed by Arnold Whittall in issue: 3/1993
For many years, Bruckner's so-called Romantic Symphony was the most frequently performed and recorded of all his symphonic works. Happily,...
Reviewed by Richard Osborne in issue: 4/1991
Compose violin sonatas, and you can guarantee that someone somewhere will want to lavish affections on them—even if, as here,...
Reviewed in issue 1/1994
With busy, resonant sound and a predilection for slower-than-usual tempos, Reinhard Seifried’s Mendelssohn harks back to Schubertian and Beethovenian models...
Reviewed in issue 2/1996
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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