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Review of Prokofiev Ivan the Terrible

Prokofiev Ivan the Terrible

Israel Nestyev's biography of Prokofiev (Oxford University Press)—still, for all its propagandizing, the most comprehensive we have—regrets that his music...

Reviewed by John Warrack in issue: 8/1985

Review of Kiri te Kanawa Song Recital

Kiri te Kanawa Song Recital

Somewhere in the world's book of fairy stories there must be one about the girl who is ushered into the...

Reviewed in issue 9/1989

Review of Charpentier Louise

Charpentier Louise

The charms of La vie parisienne, Manon and La boheme notwithstanding, Louise is the essential opera set in, and about,...

Reviewed by Patrick O'Connor in issue: 9/1994

Review of Del Monaco-The Singing Volcano

Del Monaco-The Singing Volcano

If these are bad films, as they surely are, then at least they are bad in a thoroughly old-fashioned way....

Reviewed in issue 4/1998

Review of Donizetti Lucia di Lammermoor

Donizetti Lucia di Lammermoor

Of the opera sets which Callas remade for EMI (Norma and Tosca being the others), Lucia is the one in...

Reviewed in issue 10/1989

Review of Schumann Symphony No 1

Schumann Symphony No 1

To call a performance “well made” might seem like a half-hearted compliment but in the case of Thomas Dausgaard's account...

Reviewed by Rob Cowan in issue: 5/2008

Review of Dargomizhsky: Choral & Orchestral Works

Dargomizhsky: Choral & Orchestral Works

The first (and I suppose, for the forseeable future, last) British performance of Dargomizhsky's The Stone Guest in April 1987...

Reviewed by John Warrack in issue: 1/1989

Review of Prokofiev Concerto for Piano and Orchestra No 3; Visions Fugitives

Prokofiev Concerto for Piano and Orchestra No 3; Visions Fugitives

At the end of 2000, Calliope issued a fascinating CD in which Yakov Kasman and Emmanuel Leducq-Barome were teamed with...

Reviewed by David Gutman in issue: 11/2002

Review of Holmboe Concertos for Piano, Clarinet and Oboe

Holmboe Concertos for Piano, Clarinet and Oboe

A word about nomenclature. Holmboe composed 13 chamber concertos between 1939 and 1956 as a series with small-orchestral accompaniment, similar...

Reviewed by Guy Rickards in issue: 4/2005

Review of Massenet Don Quichotte

Massenet Don Quichotte

At the beginning Don Quichotte looks all set to be Massenet's Falstaff. It was not his final opera, but it...

Reviewed in issue 4/1992


 

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